top of page

ART RECIPES

Ingredients

Directions

Level: Beginner

  • Glass sheet

  • Spray paint

     

     

1- Gather several flint tools or any other object you would like to collect.

 

2 - Select a flint tool and a color of acrylic spray paint. Place the flint tool on the glass sheet and spray around it or hold it against the glass spraying one the side of the object to trace lines. Repeat the process combining several colors and tools as it suits your taste. You can work both sides of the glass, play with it and have fun.

 

3 - Optional. For a more sculptural or object based approach break the glass either before spraying or after to make the glass shards resemble the flint tools.

 

 

Some tips to find flint tools: Depending on your where in the world you are located they can be easy or hard to find. Search the Internet to locate areas that was once populated and head out. Best places to look are beaches or fields. If you search fields make sure to ask the farmer for permission to walk the field.

 

Identification checklist:
 To distinguish between an artefact and a geofact (a flint that has been shaped by natural processes such as frost) use the following checklist. Don't pay too much attention to the overall shape or possible function but ask yourself:

  • Is the flint uniformly patinated?

  • Is there the remains of a striking platform?

  • Is there a striking point (positive bulb of percussion)?

  • Have the edges been retouched?

  • Is there pressure flaking on the surface?

  • Touch the objects often the fit your hand perfectly

"Epilogue series"
by Dan Stockholm.

Epilogue series, 2016, Glass, spray paint

Total Time: 

1 hr 25 min
Prep: 10 min |  Cook: 1 hr 15 min

About the artists

Fascinated by places and architecture with an innate historical significance and narrative tension, Dan Stockholm practices a ‘creative archaeology’. Interested in various approaches to working with site-specificity, Stockholm creates works on site and explores how artwork can come into existence as something new between the original site and the created object. Recently, his focus has been working with what he refers to as Performative Process: A performative execution of his works where the processes are brought into focus making the final work a vessel that carries the story of its own making. These processes cannot be accessed by viewing the work, but rather through narratives that can be activated in retrospect. This mirrors another interest of Stockholm’s, namely that which happens when works oscillate between the seeing act and the imagination.

 

Dan Stockholm (b. 1982) lives and works in Copenhagen and Aarhus. He studied at the Funen Art Academy, Odense DK, Staatliche Hochschule für Bildende Künste, Frankfurt am Main, and Institut für Raumexperimente, Berlin.

 

www.danstockholm.com

Tools

  • Flint tools

bottom of page